The epistolary novel Last Letters of Jacopo
Ortis (1802) was written in the aftermath of the Treaty of Campoformio (1797)
with which French authorities agreed to leave the independent Republic of Venice to
Austrian forces. Italian patriots like Foscolo, who also had an administrative role in
the Republic, were forced to leave the town. The novel thus reflects a sense of hope
followed by bitter despair, a feeling shared by many Italians of Foscolo's
generation. They had initially seen in Napoleon an ally to defeat the different nations
that occupied Italian soil and that prevented the formation of a unified independent
country.
Modeled after Goethe’s Werther
and Rousseau’s La Nouvelle Héloïse, Foscolo’s novel
intertwines fiction, history and autobiography to show how political contrasts can have
a deep impact on individual emotions. Because of Napoleon’s choice to leave Venice to
the Austrians, Jacopo, like Foscolo, is forced into exile in the nearby area of the
Euganei hills where he can see his beloved Venice from afar. The letters expose the
persecutions of Italian patriots not only at the hands of Austrians, but also of
Italians themselves: “even we Italians, alas, are washing our hands in Italian blood.”
Jacopo falls in love with Teresa whose marriage has however been arranged by her father
to solve his financial problems. Ortis’s letters thus projects this story of unfulfilled
love on a wider political context: the loss of political hopes reflects Jacopo’s
sentimental loss. “The sacrifice of our homeland is complete,” opens the first letter,
“[a]ll is lost.” This first line foreshadows Jacopo’s final choice of taking his own
life. Critics have widely debated the meaning of Jacopo’s suicide, reading it in turn as
a political act to affirm the value of freedom over foreign domination or as the escape
of intellectuals from reality and adverse political circumstances. In either cases, this
tragic conclusion highlights the links between the personal and the political.