The poem has been written predominantly in the Iambic
measure with variable number of stresses in the lines, having varying length--2, 3, 4
& 5 stresses.
There is no regular rhyme-scheme;it
is like--a b c d c e d f g h i g i j k l m l m m. Evidently, certain sounds do not get
rhymed--a b / e f h / j k.
So far assound-devices are
concerned, alliterations galore:
leaping/light;
delight/discovers....line
2
stand/stable............................line
3
swaying/sound.........................line
7
falls/foam (mediated )................line
9
scrambles, sucking/surf..............line
12
far/off/floating..........................line
14
move/memory...........................line
18
There are also examples of para-rhyme(e.g.
ledges/lodges)and internal rhymes(light/delight).The poem is quite challengingly
experimental in its metrical variations, very curious rhyme-pattern, and intricate
sound-effects. All this contributes to the variable spectrum of observation and the
multifaceted fluidity of the whole scene.
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